El museo del horror with El barón del terror
El museo del horror with El barón del terror
El museo del horror (The Museum of Horror)
In early 20th century Mexico, a disfigured man abducts women in order to drench their faces with scalding wax. Police remain clueless. Meanwhile a romantic triangle simmers between Marta, a young nurse; Raul, a peculiar doctor; and Luis, a former actor with a physical disability. This demented, expressionistic yarn follows wax museum horror tropes while mixing heated romance with grave robbers, oneiric episodes of the dead rising, heads in formaldehyde, grotesque decomposed faces, and a couple of musical interludes.
El barón del terror (The Brainiac)
As Baron Vitelius burns, accused of multiple crimes by the Spanish Inquisition, he curses the bloodlines of his executioners. Some 300 years later, he comes back to sow the seeds of his revenge under a new form: a hairy humanoid brain-eating being with giant crab-like claws and a long, forked tongue. Prepare yourself to meet the most bizarre creature spawned by Mexican cinema who has crossed borders, time, and the limits of the absurd.
In conjunction with the Mexico Maleficarum series, the Academy Museum Store created a collection of exclusive merchandise featuring licensed artwork from the films. Shop these spooky souvenirs today!
Throughout the month of October, Fanny's will be celebrating Latinx/Hispanic Heritage Month on select dates with limited time specials and entertainment on the restaurant's patio from noon to 6pm. On October 16, the menu will feature chicken mole, agua fresca, a themed dessert, and a selection of Spanish wine.
Back to Main Series
Film Program
Fri, Oct 7, 2022
El espejo de la bruja with El mundo de los muertos
Special Guest: actress Rosita Arenas
Film Program
Fri, Oct 21, 2022
La bruja with Santa Sangre
Special Guests: actress Blanca Guerra. Introduction remarks by Gilbert Trejo from El Cine.
Film Program
Thu, Oct 27, 2022
Las amantes del señor de la noche with Alucarda, la hija de las tinieblas
Special Guest: conversation with Shaula Vega