Eraserhead in 35mm preceeded by Asparagus in 35mm
Eraserhead in 35mm preceeded by Asparagus in 35mm
Eraserhead
The film that J. Hoberman and Jonathan Rosenbaum call a “nightmare sitcom of the urban soul” carries the torch as the first film to intentionally hold its world premiere in a midnight slot at the boundary-pushing Los Angeles–based festival Filmex in 1977. Yet even this audacious statement couldn't save David Lynch’s astonishing, surreal debut from the misinterpretation of mainstream critics. Thankfully, the ever-intrepid Ben Barenholtz, who lays claim to inventing the midnight movie, opened the film in New York City at several theaters, where it ran at midnight for close to three years; here in Los Angeles, Eraserhead ran at midnight at the Nuart Theatre for nearly four years straight.
Asparagus
Acquired by Ben Barenholtz in 1978 for the explicit purpose of whetting the audience’s appetite before screenings of Eraserhead, Suzan Pitt’s singular animated hallucination played before David Lynch’s feature for two years at both the Waverly in New York and Los Angeles’s Nuart Theatre.
You can see more of Pitt’s vibrant body of work in our Available Space program So Dreamy, So Sinister: Animation by Suzan Pitt on May 16.
Back to Main Series
Film Program
Friday, May 10, 2024
Donnie Darko in 4K (Celebrating 15 Years of the American Genre Film Archive)
Introduction from Bret Berg, Head of Theatrical, AGFA. Pre-screening conversation with Filmmaker Richard Kelly.
Film Program
Saturday, May 11, 2024
Glen or Glenda (Celebrating 15 Years of the American Genre Film Archive)
Introduction by Jackson Cooper, Executive Director, AGFA.