Screening from Series Cyberpunk: Envisioning Possible Futures Through Cinema – Encore Presentations

Ex-cop Rick Deckard (Harrison Ford) hunts down fugitive human-like androids called “replicants” in a dystopian, twenty-first century Los Angeles, one where neon saturates the crowded landscape and traffic woes are quelled by endless skyways for flying vehicles. Based on Philip K. Dick’s 1968 novel Do Androids Dream of Electric Sheep?, the film and its story popularized the now-classic cyberpunk conflict about the boundary between human consciousness and artificial intelligence. Working with an innovative art department, director Ridley Scott embraced a look that merged old and new technology; industrial designer, illustrator, and “visual futurist” Syd Mead developed much of the film’s groundbreaking aesthetic.
Academy Museum film programming generously funded by the Richard Roth Foundation.
Academy Museum film programming generously funded by the Richard Roth Foundation.
1982/2007 | 117 min | USA/UK | Color | Scope | English | Rated R | 4K DCP
DIRECTED BY: Ridley Scott
WRITTEN BY: Hampton Fancher, David Peoples
WITH: Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos
Know Before You Go
Plan your Visit
Location
The Academy Museum and its theaters are located at 6067 Wilshire Boulevard, Los Angeles, CA 90036
Parking
Self-parking, accessible parking, and electric vehicle charging options are available. See below for our parking structure information and view the parking page for further details.
Ride-Share Drop Off
Roddenberry Lane, entrance on Fairfax Ave.
LACMA's Pritzker Parking Garage
6000 W 6th St., Los Angeles, CA 90036, entrance on 6th St.
5am–10pm
$20 ($12 after 8pm entry)
Accessible spots on P1, adjacent to elevators
EV charging stations on P1 and P2Petersen Automotive Museum Garage
744 Fairfax Ave., Los Angeles, CA 90036, entrance on Fairfax Ave. or 8th St.
6am–11pm
$24 (first 15 min. free)
Accessible spots on P1 only; no garage elevator
EV charging stations on P1Accessibility
Audio Description
For visitors who are blind or partially-sighted, audio description devices are available for some digital film screenings on a first-come, first-served basis.
Real-time audio descriptions are available for some performances upon request with at least three weeks’ notice, subject to the availability of describers. Email academymuseum@oscars.org to submit your request.
Closed Captioning
For visitors who are deaf or hard of hearing, in-seat closed captioning or descriptive audio-devices are available for some digital film screenings on a first-come, first-served basis. Please confirm availability at academymuseum@oscars.org before planning your visit.
Real-time captioning is available for programs upon request with at least three weeks’ notice, subject to the availability of captioners. Email academymuseum@oscars.org to submit your request.
Please see our Accessibility page for complete information, including details on our Visual Description Tours, Calm Mornings, and Covid-19 policies.
Related Content

Screenings Guide
Quarterly Film Calendar
Explore seasonal film screenings in our theaters. View the latest edition or browse the archive

Screenings
eXistenZ
eXistenZ follows virtual reality video game designer Allegra Geller (Jennifer Jason Leigh), whose new project is sabotaged by activists. Before becoming a filmmaker, director David Cronenberg studied organic chemistry and cell biology, and this resonates in his approach to themes, props, and makeup: players interact with a fleshy controller that connects to their bodies via umbilical-like power cords. Cronenberg’s fifteenth feature considers cyberpunk concepts like biohacking, wearable technologies, body modification, and transhumanism not through mechanical devices but via common organic material, setting the film in dialogue with similar Y2K-era works of cyberpunk cinema like The Matrix (1999).
Wed, Mar 26, 2025 | 2pm | DCP
Ted Mann Theater

Screenings
eXistenZ
eXistenZ follows virtual reality video game designer Allegra Geller (Jennifer Jason Leigh), whose new project is sabotaged by activists. Before becoming a filmmaker, director David Cronenberg studied organic chemistry and cell biology, and this resonates in his approach to themes, props, and makeup: players interact with a fleshy controller that connects to their bodies via umbilical-like power cords. Cronenberg’s fifteenth feature considers cyberpunk concepts like biohacking, wearable technologies, body modification, and transhumanism not through mechanical devices but via common organic material, setting the film in dialogue with similar Y2K-era works of cyberpunk cinema like The Matrix (1999).
Sat, Mar 29, 2025 | 2:30pm
Ted Mann Theater

Screenings
eXistenZ
eXistenZ follows virtual reality video game designer Allegra Geller (Jennifer Jason Leigh), whose new project is sabotaged by activists. Before becoming a filmmaker, director David Cronenberg studied organic chemistry and cell biology, and this resonates in his approach to themes, props, and makeup: players interact with a fleshy controller that connects to their bodies via umbilical-like power cords. Cronenberg’s fifteenth feature considers cyberpunk concepts like biohacking, wearable technologies, body modification, and transhumanism not through mechanical devices but via common organic material, setting the film in dialogue with similar Y2K-era works of cyberpunk cinema like The Matrix (1999).
Mon, Mar 31, 2025 | 2pm | DCP
Ted Mann Theater

Screenings
Ghost in the Shell
This animated adaptation of Shirow Masamune’s manga dives into the networked urban landscape of New Port City, Japan. In the year 2029, technological advancements have allowed humans to optimize their bodies, or “shells,” with physical augmentations. Major Motoko Kusanagi, a full-body synthetic female cyborg, is tasked with tracing the Puppet Master, a cybercriminal mastermind suspected of a nefarious hacking job. Extraordinary photorealistic cityscapes realized through cel animation and computer-generated images are enhanced by an enthralling score by Kawai Kenji to shape the story’s dystopia into a gritty realism. Its prescient symbols and themes resonate in later films by James Cameron (The Terminator) and the Wachowskis (The Matrix).
Thu, Apr 3, 2025 | 2pm | DCP
Ted Mann Theater

Screenings
Ghost in the Shell
This animated adaptation of Shirow Masamune’s manga dives into the networked urban landscape of New Port City, Japan. In the year 2029, technological advancements have allowed humans to optimize their bodies, or “shells,” with physical augmentations. Major Motoko Kusanagi, a full-body synthetic female cyborg, is tasked with tracing the Puppet Master, a cybercriminal mastermind suspected of a nefarious hacking job. Extraordinary photorealistic cityscapes realized through cel animation and computer-generated images are enhanced by an enthralling score by Kawai Kenji to shape the story’s dystopia into a gritty realism. Its prescient symbols and themes resonate in later films by James Cameron (The Terminator) and the Wachowskis (The Matrix).
Mon, Apr 7, 2025 | 2pm | DCP
Ted Mann Theater

Screenings
Ghost in the Shell
This animated adaptation of Shirow Masamune’s manga dives into the networked urban landscape of New Port City, Japan. In the year 2029, technological advancements have allowed humans to optimize their bodies, or “shells,” with physical augmentations. Major Motoko Kusanagi, a full-body synthetic female cyborg, is tasked with tracing the Puppet Master, a cybercriminal mastermind suspected of a nefarious hacking job. Extraordinary photorealistic cityscapes realized through cel animation and computer-generated images are enhanced by an enthralling score by Kawai Kenji to shape the story’s dystopia into a gritty realism. Its prescient symbols and themes resonate in later films by James Cameron (The Terminator) and the Wachowskis (The Matrix).
Wed, Apr 9, 2025 | 2pm | DCP
Ted Mann Theater

Screenings
Blade Runner: The Final Cut in 4K
Ex-cop Rick Deckard (Harrison Ford) hunts down fugitive human-like androids called “replicants” in a dystopian, twenty-first century Los Angeles, one where neon saturates the crowded landscape and traffic woes are quelled by endless skyways for flying vehicles. Based on Philip K. Dick’s 1968 novel Do Androids Dream of Electric Sheep?, the film and its story popularized the now-classic cyberpunk conflict about the boundary between human consciousness and artificial intelligence. Working with an innovative art department, director Ridley Scott embraced a look that merged old and new technology; industrial designer, illustrator, and “visual futurist” Syd Mead developed much of the film’s groundbreaking aesthetic.
Fri, Apr 11, 2025 | 2pm | 4K DCP
Ted Mann Theater

Screenings
Blade Runner: The Final Cut in 4K
Ex-cop Rick Deckard (Harrison Ford) hunts down fugitive human-like androids called “replicants” in a dystopian, twenty-first century Los Angeles, one where neon saturates the crowded landscape and traffic woes are quelled by endless skyways for flying vehicles. Based on Philip K. Dick’s 1968 novel Do Androids Dream of Electric Sheep?, the film and its story popularized the now-classic cyberpunk conflict about the boundary between human consciousness and artificial intelligence. Working with an innovative art department, director Ridley Scott embraced a look that merged old and new technology; industrial designer, illustrator, and “visual futurist” Syd Mead developed much of the film’s groundbreaking aesthetic.
Mon, Apr 14, 2025 | 2pm | 4K DCP
Ted Mann Theater

Screenings
The Matrix in Dolby Vision
This film by writer-directors The Wachowskis, inspired by (and named for) the virtual world in William Gibson’s 1984 novel Neuromancer, envisions a dystopian future where humans are trapped in a virtual reality simulation while AI machines harvest their bodies for energy. Cyberpunk themes blend with stylistic elements from anime and Hong Kong action cinema as computer hacker Neo and a group of rebels fight against the machines to free humankind. A critical and box-office hit, the film won Oscars for Film Editing, Sound, Sound Effects Editing, and Visual Effects. It also spawned numerous sequels, comics, video games, and a series of acclaimed animated shorts.
Fri, Apr 18, 2025 | 2pm | Dolby Vision
Ted Mann Theater

Screenings
The Matrix in Dolby Vision
This film by writer-directors The Wachowskis, inspired by (and named for) the virtual world in William Gibson’s 1984 novel Neuromancer, envisions a dystopian future where humans are trapped in a virtual reality simulation while AI machines harvest their bodies for energy. Cyberpunk themes blend with stylistic elements from anime and Hong Kong action cinema as computer hacker Neo and a group of rebels fight against the machines to free humankind. A critical and box-office hit, the film won Oscars for Film Editing, Sound, Sound Effects Editing, and Visual Effects. It also spawned numerous sequels, comics, video games, and a series of acclaimed animated shorts.
Sun, Apr 20, 2025 | 2pm | Dolby Vision
Ted Mann Theater

Screenings
The Matrix in Dolby Vision
This film by writer-directors The Wachowskis, inspired by (and named for) the virtual world in William Gibson’s 1984 novel Neuromancer, envisions a dystopian future where humans are trapped in a virtual reality simulation while AI machines harvest their bodies for energy. Cyberpunk themes blend with stylistic elements from anime and Hong Kong action cinema as computer hacker Neo and a group of rebels fight against the machines to free humankind. A critical and box-office hit, the film won Oscars for Film Editing, Sound, Sound Effects Editing, and Visual Effects. It also spawned numerous sequels, comics, video games, and a series of acclaimed animated shorts.
Wed, Apr 23, 2025 | 2pm | Dolby Vision
Ted Mann Theater

Screenings
Neptune Frost
This aesthetically daring science-fiction musical—written and co-directed by artist and musician Saul Williams—opens in the coltan mines of Burundi, East Africa, where laborers extract this precious resource for use in mobile phones, smartwatches, and laptops. Recognizing they’ve been exploited as drastically as their land has been, the laborers form an underground band of anti-colonialist hackers and set up camp in an e-waste dump of obsolescent technologies. A futuristic fable with a powerful punk ethos, this genre-defying work reminds us of the political power we have at our fingertips and our collective responsibility to hold power to account.
Sat, Apr 26, 2025 | 2pm | DCP
Ted Mann Theater

Screenings
Neptune Frost
This aesthetically daring science-fiction musical—written and co-directed by artist and musician Saul Williams—opens in the coltan mines of Burundi, East Africa, where laborers extract this precious resource for use in mobile phones, smartwatches, and laptops. Recognizing they’ve been exploited as drastically as their land has been, the laborers form an underground band of anti-colonialist hackers and set up camp in an e-waste dump of obsolescent technologies. A futuristic fable with a powerful punk ethos, this genre-defying work reminds us of the political power we have at our fingertips and our collective responsibility to hold power to account.
Mon, Apr 28, 2025 | 2pm | DCP
Ted Mann Theater

Screenings
Neptune Frost
This aesthetically daring science-fiction musical—written and co-directed by artist and musician Saul Williams—opens in the coltan mines of Burundi, East Africa, where laborers extract this precious resource for use in mobile phones, smartwatches, and laptops. Recognizing they’ve been exploited as drastically as their land has been, the laborers form an underground band of anti-colonialist hackers and set up camp in an e-waste dump of obsolescent technologies. A futuristic fable with a powerful punk ethos, this genre-defying work reminds us of the political power we have at our fingertips and our collective responsibility to hold power to account.
Thu, May 1, 2025 | 2pm | DCP
Ted Mann Theater

Screenings
The Terminator in Dolby Vision
Cyborg hitman T-800 (Arnold Schwarzenegger) is sent from the future to kill civilian Sarah Connor (Linda Hamilton), whose unborn child will one day avert the destruction of mankind by the artificial intelligence technology Skynet. Evoking a post-apocalyptic future in which evil autonomous networks seek world domination, James Cameron’s The Terminator was massively influential in establishing cyberpunk aesthetics and themes of the decade, especially in its anti-capitalist and anti-authoritarian spirit. The film’s androids were designed by special effects and makeup artist Stan Winston, whose later work with prosthetics, puppets, and animatronics on Terminator 2: Judgment Day would earn him Academy Awards for both Makeup and Visual Effects.
Fri, May 2, 2025 | 2pm | Dolby Vision
Ted Mann Theater

Screenings
The Terminator in Dolby Vision
Cyborg hitman T-800 (Arnold Schwarzenegger) is sent from the future to kill civilian Sarah Connor (Linda Hamilton), whose unborn child will one day avert the destruction of mankind by the artificial intelligence technology Skynet. Evoking a post-apocalyptic future in which evil autonomous networks seek world domination, James Cameron’s The Terminator was massively influential in establishing cyberpunk aesthetics and themes of the decade, especially in its anti-capitalist and anti-authoritarian spirit. The film’s androids were designed by special effects and makeup artist Stan Winston, whose later work with prosthetics, puppets, and animatronics on Terminator 2: Judgment Day would earn him Academy Awards for both Makeup and Visual Effects.
Sat, May 3, 2025 | 2:30pm | Dolby Vision
Ted Mann Theater

Screenings
The Terminator in Dolby Vision
Cyborg hitman T-800 (Arnold Schwarzenegger) is sent from the future to kill civilian Sarah Connor (Linda Hamilton), whose unborn child will one day avert the destruction of mankind by the artificial intelligence technology Skynet. Evoking a post-apocalyptic future in which evil autonomous networks seek world domination, James Cameron’s The Terminator was massively influential in establishing cyberpunk aesthetics and themes of the decade, especially in its anti-capitalist and anti-authoritarian spirit. The film’s androids were designed by special effects and makeup artist Stan Winston, whose later work with prosthetics, puppets, and animatronics on Terminator 2: Judgment Day would earn him Academy Awards for both Makeup and Visual Effects.
Mon, May 5, 2025 | 2pm | Dolby Vision
Ted Mann Theater

Screenings
RoboCop in 4K
Paul Verhoeven’s sci-fi action film took the excessive, muscle-bound physique of the 1980s American action star and fused it with the burgeoning technology of the day. RoboCop depicts a future in which major corporations control the police and most aspects of daily life. While jaw-dropping practical effects and gore punctuate the action, the screenplay is full of social commentary, and the struggles of a human-robot hybrid questioning its past give the story its emotional and philosophical core. The film was nominated for Sound and Film Editing and received a Special Achievement Award for Sound Effects Editing at the Academy Awards.
Sat, May 10, 2025 | 2:30pm | 4K DCP
Ted Mann Theater

Screenings
RoboCop in 4K
Paul Verhoeven’s sci-fi action film took the excessive, muscle-bound physique of the 1980s American action star and fused it with the burgeoning technology of the day. RoboCop depicts a future in which major corporations control the police and most aspects of daily life. While jaw-dropping practical effects and gore punctuate the action, the screenplay is full of social commentary, and the struggles of a human-robot hybrid questioning its past give the story its emotional and philosophical core. The film was nominated for Sound and Film Editing and received a Special Achievement Award for Sound Effects Editing at the Academy Awards.
Mon, May 12, 2025 | 2pm | 4K DCP
Ted Mann Theater

Screenings
Sleep Dealer
In Sleep Dealer, director Alex Rivera imagines a future in which workers and their labor are separated by technology. His film follows a Mexican “node” factory worker named Memo Cruz (Luis Fernando Peña) in a militarized Tijuana. Using headwear that muzzles his mouth and wires connected to ports in his arms, Memo controls robots across the US border in a dystopian vision of migrant labor. Rivera and production designer Miguel Ángel Álvarez created props crafted with store-bought materials to represent high-tech devices. The film’s future world maintains a realistic lo-fi aesthetic, suggesting this dystopian future is imaginable from the present.
Thu, May 15, 2025 | 2pm | DCP
Ted Mann Theater

Screenings
Sleep Dealer
In Sleep Dealer, director Alex Rivera imagines a future in which workers and their labor are separated by technology. His film follows a Mexican “node” factory worker named Memo Cruz (Luis Fernando Peña) in a militarized Tijuana. Using headwear that muzzles his mouth and wires connected to ports in his arms, Memo controls robots across the US border in a dystopian vision of migrant labor. Rivera and production designer Miguel Ángel Álvarez created props crafted with store-bought materials to represent high-tech devices. The film’s future world maintains a realistic lo-fi aesthetic, suggesting this dystopian future is imaginable from the present.
Sun, May 18, 2025 | 2pm | DCP
Ted Mann Theater

Screenings
Sleep Dealer
In Sleep Dealer, director Alex Rivera imagines a future in which workers and their labor are separated by technology. His film follows a Mexican “node” factory worker named Memo Cruz (Luis Fernando Peña) in a militarized Tijuana. Using headwear that muzzles his mouth and wires connected to ports in his arms, Memo controls robots across the US border in a dystopian vision of migrant labor. Rivera and production designer Miguel Ángel Álvarez created props crafted with store-bought materials to represent high-tech devices. The film’s future world maintains a realistic lo-fi aesthetic, suggesting this dystopian future is imaginable from the present.
Mon, May 19, 2025 | 2pm | DCP
Ted Mann Theater

Screenings
Night Raiders
Set in the year 2044, Night Raiders follows Niska (Elle-Májiá Tailfeathers), a Cree woman who joins a resistance group to fight against the totalitarian regime that kidnapped her daughter, Waseese (Brooklyn Letexier-Hart). Director Danis Goulet, who was heavily influenced by Children of Men’s near-future aesthetic and The Matrix’s ideas about colonialism, worked closely with cinematographer Daniel Grant to visualize her Indigenous background as a distinct cinematic language. The film’s drones, inspired by mosquitos and military technology, were a collaboration between Goulet, production designer Zazu Myers, and modelers Laird FX; one is currently on view in the museum’s Cyberpunk exhibition, alongside concept art by Goran Delic.
Wed, May 21, 2025 | 2pm | DCP
Ted Mann Theater

Screenings
Night Raiders
Set in the year 2044, Night Raiders follows Niska (Elle-Májiá Tailfeathers), a Cree woman who joins a resistance group to fight against the totalitarian regime that kidnapped her daughter, Waseese (Brooklyn Letexier-Hart). Director Danis Goulet, who was heavily influenced by Children of Men’s near-future aesthetic and The Matrix’s ideas about colonialism, worked closely with cinematographer Daniel Grant to visualize her Indigenous background as a distinct cinematic language. The film’s drones, inspired by mosquitos and military technology, were a collaboration between Goulet, production designer Zazu Myers, and modelers Laird FX; one is currently on view in the museum’s Cyberpunk exhibition, alongside concept art by Goran Delic.
Fri, May 23, 2025 | 2pm | DCP
Ted Mann Theater

Screenings
Night Raiders
Set in the year 2044, Night Raiders follows Niska (Elle-Májiá Tailfeathers), a Cree woman who joins a resistance group to fight against the totalitarian regime that kidnapped her daughter, Waseese (Brooklyn Letexier-Hart). Director Danis Goulet, who was heavily influenced by Children of Men’s near-future aesthetic and The Matrix’s ideas about colonialism, worked closely with cinematographer Daniel Grant to visualize her Indigenous background as a distinct cinematic language. The film’s drones, inspired by mosquitos and military technology, were a collaboration between Goulet, production designer Zazu Myers, and modelers Laird FX; one is currently on view in the museum’s Cyberpunk exhibition, alongside concept art by Goran Delic.
Sun, May 25, 2025 | 2pm | DCP
Ted Mann Theater

Screenings
Ex Machina
Cyborg Ava (Alicia Vikander) is programmed to beat the Turing test, a method of distinguishing artificial intelligence from human intelligence. Director Alex Garland, working with the art department and special and visual effects teams, presents Ava as nearly human in her movements and expressions, even though her circuitry is exposed. A chilling exploration of female agency and the concepts of consciousness, purpose, and destiny, Ex Machina emerges as a story deeply concerned with power vis-à-vis humanity and its creations. The machines may be winning, but who created the machines? Ava’s deceivingly realistic silicone face and chrome skull can be found in the museum’s Cyberpunk exhibition.
Mon, May 26, 2025 | 2pm | DCP
Ted Mann Theater

Screenings
Ex Machina
Cyborg Ava (Alicia Vikander) is programmed to beat the Turing test, a method of distinguishing artificial intelligence from human intelligence. Director Alex Garland, working with the art department and special and visual effects teams, presents Ava as nearly human in her movements and expressions, even though her circuitry is exposed. A chilling exploration of female agency and the concepts of consciousness, purpose, and destiny, Ex Machina emerges as a story deeply concerned with power vis-à-vis humanity and its creations. The machines may be winning, but who created the machines? Ava’s deceivingly realistic silicone face and chrome skull can be found in the museum’s Cyberpunk exhibition.
Wed, May 28, 2025 | 2pm | DCP
Ted Mann Theater

Screenings
Ex Machina
Cyborg Ava (Alicia Vikander) is programmed to beat the Turing test, a method of distinguishing artificial intelligence from human intelligence. Director Alex Garland, working with the art department and special and visual effects teams, presents Ava as nearly human in her movements and expressions, even though her circuitry is exposed. A chilling exploration of female agency and the concepts of consciousness, purpose, and destiny, Ex Machina emerges as a story deeply concerned with power vis-à-vis humanity and its creations. The machines may be winning, but who created the machines? Ava’s deceivingly realistic silicone face and chrome skull can be found in the museum’s Cyberpunk exhibition.
Fri, May 30, 2025 | 2pm | DCP
Ted Mann Theater